Tags
Bachelard, birdsong, childhood home, dead sparrow, Gadamer, Heidegger, Home, May Sarton, memoir, music
If Goethe is right, and architecture is frozen music, home is a song we have learned by heart.
My friend reminds me that learning things by heart insists upon rhythm, the heartbeat, and that the experience of the present moment is rhythmic.
One beat has to end for the next to begin. And like his favorite piano concerto, we don’t know when this note ends, and there is much tension in the space before the next. And life is marked by a gentle sadness when that moment ends and dissolves into the next moment. That, according to Bugbee, life is haunted by a continual parting. Proust says these moments are connected to places that also don’t exist anymore: “The places we have known do not belong only to the world of space on which we map them for our convenience. None of them was ever more than a thin slice, held between the contiguous impressions that composed our life at that time; the memory of a particular image is but regret for a particular moment; and houses, roads, avenues, are as fugitive, alas as the years.”
And that was the fugitive feeling I have had recently. First, I was at a dinner where a friend made a lovingly-prepared pot roast. Tomato and herbs infused a slow-cooked meat I’ve not experienced since I was living in my childhood home. The warm, familiar smell wrapped its arms around me as I sat in this modern-day apartment, just as my mother’s filled our evening home when I was a child. The smell invoked something so palpably nostalgic that one part of my self remained in a distant past even as I carried about in the present-tense conviviality. My friend sitting next to me also was piqued by the memories of childhood dinners; someone who I happened to have first met when I was 6 years old. We have witnessed each other grow and shed several versions of ourselves, though there is something from which we struggle not to stray.
It recalls Gadamer’s notion of festival — that there is an enduring in the perishing. There is continually a moment that we wish could be retained, held onto for just another moment longer, even though it can never be. It is a “consciousness of human frailty,” when we are aware of the rhythms of our life and the fact that they end. “Every festive joy, yes, every joy, is perhaps the other side of an inexpressible, unutterable.” And every beat of the heart is inseparable from its opposite — silence; nothingness.
And then I gave into the urge to drive by my childhood home this week. I was in the area, where a chaparral dustiness meets the crisp coastal breeze and tugs at me. As did the autumnally-filtered light of a sun beginning to arc lower in the sky. And there predictably sat the home on the corner of middle-suburbia covered with mature trees and gridded off by narrow streets. The house, like the area, is shinier and more regal than the more humble and equitable times known before Silicon Valley bubbles and exorbitant housing prices. The home was still incredibly intimate, yet completely estranged from me — the current occupants undoubtedly using it in their own way in a sort of betrayal of the past. Because, like everything else, my home had to give way to their home. Like the tightly woven, straw nest that fell off the side of our house a few months ago. Next to it was a darkly stippled egg, intact, but belonging now to the unknown.
The nest fell from the eaves of my new home of the last 13 years. Soon, as with every year, the winter flock of Golden-crowned Sparrows and their one loyal Fox Sparrow friend returns to our feeder. One year our cat in her boredom slaughtered the Fox Sparrow, and after I grieved its dark, hopeless body in my hand, I decided not to slaughter the cat. A few years later, a new Fox Sparrow somehow rejoined the flock. I’ll never know how.
This is the home which presses itself into my son whose foundational memories will be part of the architecture, as the architecture is part of his psyche. And eventually, the most eventual fact of all, my life will give way also. So dramatic-sounding, I know, but the remembrance of which always relates to Heidegger’s astonishment that I exist rather than not, that leads to Hamill’s loving a little bit more, because one of us will die. And the moment when the stars begin to burn through Mary Oliver’s sheets of clouds so that I may write about it here, with words that are little houses, as they dissolve away also. That things come and go, it brings about wonder:
“Celebration … is self-restraint, is attentiveness, is questioning, is meditating, is awaiting, is the step over into the more wakeful glimpse of the wonder — the wonder that a world is worlding around us at all, that there are beings rather than nothing, that things are and we ourselves are in their midst, that we ourselves are and yet barely know who we are, and barely know that we do not know this. – Martin Heidegger, Polt
such strong work
dear life counselor,
i am again so humbled by your deep insight and ability to bring together so many of your insights with those whose thoughts have embraced and said it in different ways. and i’m grateful that you don’t have to live out there alone stirring around in the realm of the fragility of life and death the way you do. i am amazed and in awe that you can integrate and voice so much of what so profoundly matters to so many, to someone like me who is not a person of words, literature or philosophical studies; a person who gave up on making sense of it, and came to believe i will never find answers to the whys that plagued me most of my life. you encourage me to come back and sit with you and feel the comfort of knowing i am not alone in this hostel terrain.
i love you, and i’m loving this piece though my eyes can’t yet focus so i can not quite see it all. i will come back at lunch time.
love, judith
Thank you, dear friend. i know you are there with me. Love, Summer
How marvelous it is to listen to the fox sparrow song, just a white page to wide awake the imagination, a long cooked meal to open the door of perceptions. To forget for a small time the power of the image.
C’est si vrai. Il y a eu un instant quand j’ai voulu seulement les sons de l’oiseau dans mon blog, parce que, comme vous dites, l’imagination est plus forte que la realité didactique.
Thank you for liking my post In Memory of Mom. I’m enjoying browsing your blog–this post is especially beautiful, and I look forward to following you.
we’ve driven half way across the USA through country I’ve never seen, Wyoming, So. Dakota, Nebraska and now Iowa. Jack’s ‘bucket list’ included finding his dad’s first home. His dad left home at 14 and for whatever his reasons, wouldn’t talk about his growing up. we drove gravel roads in pouring rain this morning finally finding Lincoln Cemetery, sitting isolated on a hill north of Corning Iowa. It overlooked green rolling hills, stands of trees, grazing cows. After sloshing through wet grass for 20 or so minutes we found a headstone – Mosier – John S. 1870 -1939 Emma L. 1878 -1951. we found the barn where he dropped dead unexpectedly “while doing Saturaday chores” said the old obit from the local newspaper.Jack is ‘relieved’ to touch base here, which surprised me, an itch that finally got scratched.? I was more visibly moved then he. time will tell. I know his grandfather must have had many questions and worrys about his young runaway son..I know he would be proud of the grandson he never knew existed, I know he would be happy that Jack came home to visit.
What a beautiful homecoming, in every meaning of the word. Your images and the picture in my mind of Jack, in his cap and vest jacket, silently contemplating the ghosts of his family history in those places, it is very heart-rending. Thank you.